What are the possibilities? Full-resolution In most stadiums, the light will hit the bleachers on the other side of the field and tends to glow very bright. This can be super distracting. I usually try to shoot into the sun for backlight, which puts the stands in the shadows and gives you a very dramatic rim light and separation between subject and background.
It can sometimes be difficult to shoot into the sun, but the reward is worth it. The phrase Dual Pixel is no accident. With this and previous Canon EOS models having Dual Pixel CMOS AF technology, each pixel on the imaging sensor actually is split into two separate and independent light-sensitive sections — for our purposes, we can think of the split left and right areas as A and B areas of a single pixel.
In most current digital SLRs, each pixel is covered by a red, green, or blue filter — but the actual light-gathering photo diode lies underneath. Here, in this conceptual illustration, you see the light-sensitive area for each pixel as the yellow surface.
Simplified to show one pixel, we see its colored filter, and its light-sensitive photo diode area below. Instead of one single light-sensitive area for each pixel, Dual Pixel design splits each pixel into two separate light-gathering areas. Before a picture is taken, for focus purposes, light is gathered from the A and B pixel areas separately, and read as two independent signals.
These are then compared and used for phase-detection focus calculations. Each light-sensitive side of a pixel can be independently controlled. In other words, before a shot is taken, each pixel is producing two pieces of information.
But when an actual still image or video frame is recorded an instant later, the two separate signals from the A and B sides of each pixel are combined, to generate one single brightness signal from each pixel.
A moment later, for actual image recording, the A and B sides of each pixel are now combined into one single brightness value. But in addition, they add what we can think of as parallax information from just the A-side of each pixel. CR2 Dual Pixel RAW file; there is no second or additional file data that users have to hunt for on their memory cards.
Thanks a lot. Me too. All forum topics Previous Topic Next Topic. Is that software better than Adobe Camera Raw I am confused! In response to tmc In response to amfoto1.
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Consumer Business ENG. Consumer Switch to: Business. Consumer Business. Support Search Download. Contact Us. What is Remote Live View Shooting? Also, the shot images are saved directly on your computer and you can recheck them using the linked software Digital Photo Professional version 4.
After shooting a movie, you can download the image data from the camera's memory card to a computer and save them in a selected folder. This page describes how to shoot still photos and movies remotely using the Remote Live View Shooting function with default settings. The Instruction Manuals can be downloaded from the Canon Web site.
In the capture window that appears, click or right-click any setting item in , and select the setting. I don't usually because it just takes more time and pays me back with nothing extra. This is good to know. The mk2 aint too shaby really - but I know what you mean It's early doors at the moment - Adobe took ages before they got the 18MP conversions 'nice'.
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